Anaglyph

This book offers a comprehensive presentation of Mireille Loup’s work, centered on her use of the anaglyph technique. It showcases three series of black-and-white photographs: 53.77 Anaglyph, Là [Anaglyph], and Les Fous du Rhône.

The principle of relief imagery, originating in 1853, is masterfully developed by the photographer, who creates a strikingly evocative visual language and mesmerizing atmosphere.

Yet, Mireille Loup’s exploration of the anaglyph goes far beyond this effect: extending past three-dimensionality, she explores a distinctive aesthetic of blur. In this way, singular worlds emerge through the gaze of the spectator-actor, who can immerse themselves, withdraw, or move seamlessly between them, guided by the interactivity inherent in the very project.